Wed. Feb 28th, 2024

Ultar to unleash the third album “At the Gates of Dusk”

Siberian creature of bottomless chaos ULTAR will break its grave silence and amaze your imagination with the long-awaited third LP At the Gates of Dusk. The time has come to plunge even deeper into the disturbing darkness of the beyond. This mysterious and sinister post-black tribute to the greatest horror writer and visionary of the 20th century Howard Phillips Lovecraft will penetrate your dreams and make you doubt the rationality of existence.

The band recently released the official music video for album track “Innsmouth.” Watch it now at this location.

Watch the video for the album’s first single “Midnight Walk and Reminiscence of Necromancy” at this location.

Another track from the album, “My Rope,” is now playing on multiple streaming platforms. Listen at ultar.gentlepunks.wtf/my-rope

At the Gates of Dusk will be out on November 20. Order the album now at www.rockmark.eu/collections/ultar

ULTAR is a five-piece band from the heart of Siberia, Krasnoyarsk town, which is placed amidst the howling woods and red mountains. In genre terms, the band could be thought of as sonic alchemists who blend ingredients from black metal, post-metal, and shoegaze, with a talent for creating dramatic melodies that have emotional intensity as well as staying power. 



The overwhelming epicness of the ULTAR shows brings you the majestic triumph of the Lovecraftian Elder Gods, an unforgettable experience full of truly intense emotions.

The band’s first two albums Kadath and PANTHEON MMXIX have received highly positive feedback from all over the world, not only from the listeners but also from the top media such as Metal Hammer, Loudwire and Terrorizer as well. It also led them to Loudwire’s “10 Up-and-Coming Metal Bands You Need to Hear in 2019” and to play numerous opening shows with such bands as Behemoth, Cradle of Filth, Myrkur, Carach Angren, Suffocation, Vltimas, Hate, Wiegedood, Alcest, Swallow the Sun, Harakiri for the Sky, and The Ocean.

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